Great BBC documentary from 1997, narrated by John Peel, featuring Beefheart himself, Frank Zappa, Ry Cooder and More!
Saturday, 18 December 2010
Wednesday, 1 December 2010
Mid Morning Matters with Alan Partridge
After eight years of silence, Steve Coogan has resurrected his most enduring comic creation, the haplessly inept broadcaster Alan Partridge. But a-ha, as Partridge would inevitably say at this point, there’s a twist.
He isn’t returning in a TV series, but online in a dozen stand-alone 11-minute films, commissioned and sponsored by the lager brand Foster’s. The first became available to view at the weekend, with the others being unveiled on Foster’s website about once weekly.
The new films have been scripted by Coogan and his long-time collaborator Armando Iannucci, together with brothers Rob and Neil Gibbons. This represents a considerable coup for Foster’s, which is making significant inroads into the comedy market. This year, it funded the Edinburgh Comedy Awards, sponsored for more than two decades by Perrier.
Wednesday, 29 September 2010
Neil Young - Don't be Denied
Watch Neil Young - Don't Be Denied in Music | View More Free Videos Online at Veoh.com
..."I only care about the Music" says the irascible Neil Young at the start of this essential BBC Documentary which sees him heckled by his own crowd when he dumps on the Bush regime, confused rednecks - unmissable...
Wednesday, 22 September 2010
Bob Dylan & the Band
Thursday, 5 August 2010
JDK - Chronic Cure DUB
...join us LIVE down andy's sh'been in the holy headland of the original pirate bay for the dancin'est dubbin'est reggae pirate radio/tv show this side of the law featuring footage from Run From the Cure - the Rick Simpson Story and Jack Herer - the Emperor of Hemp...
...dedicated to the Hemperor, may you finally Rest in Peace...
Wednesday, 7 July 2010
STONEHENGE! 1972
...
The Stonehenge Free Festival was a British free festival from 1972 to 1984 held at Stonehenge in England during the month of June, and culminating on the summer solstice on June 21. The festival was a celebration of various alternative cultures. The Tibetan Ukrainian Mountain Troop, The Tepee People, Circus Normal, the Peace Convoy, new age travellers and the Wallys were notable counter culture attendees.
Not to be confused with Glastonbury Festival
The stage hosted many bands including Hawkwind, Gong, Doctor and the Medics, Flux of Pink Indians, Buster Blood Vessel, Omega Tribe, Crass, Selector, Dexys Midnight Runners, Thompson Twins, The Raincoats, Brent Black Music Co-op, Amazulu, Wishbone Ash, Man, Benjamin Zephaniah, Inner City Unit, Here and Now, Cardiacs, The Enid, Roy Harper, Jimmy Page and Zorch all played for free...Friday, 25 June 2010
this MUSIC KILLS fascists
...THE ALBUM...
this MUSIC KILLS fascists ...anotherFONKEEjoint...
...THE VIDEOS...
...anotherFONKEEproject...
Monday, 7 June 2010
Stepping Razor
"And in the early 1990s when I realised that the whole world was only focusing on Bob Marley and everybody had forgotten about Peter, I decided to put together this film so the world could understand the mind of this great poet."
Wayne Jobson-produced Stepping Razor
Saturday, 5 June 2010
Zion Train - Japan 2005
...Multimedia acid-dub collective Zion Train comprised vocalist Molara, DJ/bassist Neil Perch, trumpeter David Tench, melodica player Colin Cod and trombonist Chris. Formed in North London in 1990, its members initially came together as a dub sound system; their first single, the limited-edition roots 7" "Power One" (issued on their own Zion Records imprint), immediately sold out, while its follow-up "Power Two" was a major favorite at shaka dances throughout 1992. For their next effort, Zion Train teamed with Studio One vet Devon Russell to remake his cult classic "Jah Holds the Key" -- the group's most successful record to date; it garnered airplay throughout Europe and led to the release of their debut LP, the mellow dub outing Passage to Indica...
Thursday, 3 June 2010
Marijuana! (1968)
...Discussing the physical dangers, emotional dependency and legalities of using marijuana, Sonny appears onscreen to tell kids that marijuana is a "bummer" that turns you into a "weedhead" and will make you "trip out" (the fact that, based upon his performance, Sonny appears to have ingested unknown substances before the cameras started rolling tends to limit the film's crediblity somewhat)....
Tuesday, 1 June 2010
Dub Echoes - Bruno Natal
...is a documentary that traces the origins of the Jamaican dub music and it’s influence on the development of hip hop and electronic music.The film shows how the Jamaican invention called dub ended up influencing much of the music we hear today, from electronic music to hip-hop, transforming the studio in a musical instrument and giving way to all of sonic experiments.
“Dub Echoes” was produced by a Brazilian crew, in Kingston (Jamaica), London (UK), NY, Washington, LA (US), Rio de Janeiro and São Paulo (Brazil).
Key names, from both reggae and the electronic music world, talk about the birth of this genre, how it helped to change the way we perceive music and how it’s presence can still be felt today.
Just follow the bass lines!...
Friday, 28 May 2010
Street History
...This is a nice old documentary about the early days of Hip Hop. It describes the lifestyle of Africa Bambaataa and his Zulu Nation. Check the official site. It starts with Planet Rock: “Who control the present, control the past, who control the past, controls the future, FUNK!!!”. Classic indeed. After that we have a speech by Malcom Mclaren, best known as being the manager of the band Sex Pistol, who describes his first impressions when for the very first time he was in touch with Hip Hop. Very interesting! Than there is an amazing overview on Kool Herc. So funny, he drives around the Bronx squalor whit huge speakers on the back of his cars (mobile sound sistem). You can not miss that. He speaks about Hip Hop’s birth, he speaks about blocks party and about the Bronx itself...
Wednesday, 26 May 2010
Beyond Beats & Rhymes
...HIP-HOP: BEYOND BEATS AND RHYMES is a riveting documentary that examines representations of gender roles in hip-hop and rap music through the lens of filmmaker Byron Hurt, a former college quarterback turned activist. Conceived as a “loving critique” from a self-proclaimed “hip-hop head,” Hurt examines issues of masculinity, sexism, violence and homophobia in today’s hip-hop culture...
Monday, 24 May 2010
McLuhan's Wake (2002)
...
The opening sequence of McLuhan’s Wake foreshadows the aesthetic quality of the rest of the film. It begins with a montage of video images – crashing seas, a dancing ballerina, the Challenger shuttle – edited together with audio from Marshall McLuhan and original New Age music. This rapid succession of heterogeneous images fades into a retelling of Edgar Allen Poe’s The Descent into the Maelstrom, complete with animation, special effects and narration by Eric McLuhan. As did so much of the literature that Marshall McLuhan read, The Descent into the Maelstrom impacted his thinking. However, the 1840 Poe short story is even more significant according to McLuhan’s Wake; the film suggests the mariner’s struggle in the story provides a metaphor for McLuhan’s own attempt to make sense of the swirling, whirling culture of media that could have swept him away so easily had he not identified the laws regarding them.
McLuhan’s Wake is organized around McLuhan’s last scholarly book, Laws of Media, which was published posthumously by his son. In this lesser-known publication of McLuhan’s, he and his son argued that there are four laws of media: any medium amplifies or intensifies some situation; any medium makes part of the environment obsolete; any medium recreates or revives any older structure or environment; and any medium, when pushed to its limit, can reverse to create the opposite of its intended function. McLuhan’s Wake explores this tetrad of enhancement, obsolescence, retrieval and reversal with examples from places so varied as an elementary school classroom, the kitchen of a Chinese restaurant, and a Jaguar car dealership.
The film assumes that viewers have at least a rudimentary understanding of McLuhan’s theories. With its abundance of examples illustrating the laws of media, McLuhan’s Wake makes the meaning of the tetrad extremely clear. The film also highlights McLuhan’s better known theories on the effects of technology, including its numbing effect, its potential for creating a global village, its retribalization of man, and its incompatibility with a passive model of education. Excerpts of McLuhan’s lectures and interviews illustrate these theories, edited together with interviews from scholars like Neil Postman and Lewis Lapham and narration from performance artist Laurie Anderson. However, the viewer rarely sees the people speaking, causing them to become disembodied. While McLuhan would likely be quite comfortable with this haunting quality of the film, it has the potential to overwhelm an audience of students unfamiliar with McLuhan’s work.
McLuhan’s Wake does acknowledge criticisms of McLuhan’s theories, but it provides no specific explanation, and attributes them mostly to jealousy or lack of full comprehension. The film, which also loosely follows McLuhan’s life chronologically, portrays McLuhan as having died without ever fully being heard. In this way, McLuhan was the real-life mariner who made sense of and escaped the vortex, only to be dismissed by his peers. The film does highlight the resurgence of McLuhan since the computer revolution, but does not acknowledge that much of this resurgence, at least in popular culture, may be a result of people’s misunderstanding of McLuhan. However, the film does make clear that McLuhan himself believed that computers enabled authorities to exert more control over society. It also highlights McLuhan’s strong objection to technological change on the basis of the resultant unpleasant effects on the human body.
Ultimately, McLuhan’s Wake succeeds as a film. Although it is slow-moving at times, it captures the ideas and aesthetic style of McLuhan. However, because of the McLuhanesque qualities of the film, it falls short as an instructional video to introduce students to McLuhan. However, for students who already have some familiarity with McLuhan’s work, the film can provide insights into McLuhan’s thinking. Additionally, the web-based tools accompanying the video include “Understanding McLuhan,” a brief but useful biography of McLuhan, and an educator’s resource guide filled with discussion-provoking questions and possible assignments. McLuhan’s Wake fills a long-time void for a film about Marshall McLuhan, whose relevance to our contemporary culture cannot be denied. Viewers should just be prepared to experience the film as they might any of his writings, as a psychedelic intellectual journey...
Thursday, 20 May 2010
Afro-Punk
...is a 66-minute documentary film directed by James Spooner, exploring race identity within the punk scene across America and abroad. The film focuses the lives of four people dedicated to the punk rock lifestyle, interspersed with interviews from scores of black punk rockers from all over the United States. The interviews cover issues of loneliness, exile, interracial dating, black power, and the dual lives led by people of color in communities that are primarily white. Afro-Punk features performances by Bad Brains, Tamar Kali, Cipher, and Ten Grand. It also contains exclusive interviews by members of Fishbone, 24-7 Spyz, Dead Kennedys, Candiria, Orange 9mm and TV on the Radio, among others. In 2003 the documentary was featured at the American Black Film Festival in South Beach and the Pan African Film & Arts Festival, and won an Official Selection at the Toronto International Film Festival, an Audience Award at the Black Harvest International Film and Video Festival in Chicago, an award for Excellence in Documentary Filmmaking at the Roxbury Film Festival in Boston, and an award for Best Documentary at the International Jamerican Film and Music Festiva] in Jamaica...
Monday, 17 May 2010
1984 (1984)
...is a British film, released in 1984, based upon George Orwell's novel of the same name, following the life of Winston Smith in Oceania, a country run by a totalitarian government. The film was directed by Michael Radford and stars John Hurt, Richard Burton (in his last film role) and Suzanna Hamilton.
Thursday, 13 May 2010
Arrested Development
...just can't get enough of the Bluths, here we go again from the beginning...
...more free tv here...
Sunday, 9 May 2010
THX 1138 (1971)
...is a 1971 science fiction film directed by George Lucas, from a screenplay by Lucas and Walter Murch. It depicts a dystopian future in which a high level of control is exerted upon the populace through omnipresent, faceless, android police officers and mandatory, regulated use of special drugs to suppress emotion, including sexual desire.
It was the first feature-length film directed by Lucas, developed from his student film Electronic Labyrinth: THX 1138 4EB, which he made in 1967 while attending the University of Southern California, which itself was based on a one and a quarter page treatment of an idea by Matthew Robbins.[citation needed] The film was produced in a joint venture between Warner Brothers and Francis Ford Coppola's then-new production company, American Zoetrope. A novelization by Ben Bova was published in 1971.
Wednesday, 5 May 2010
the Eugenics Debate
...Alex welcomes friend, Comedian, Doug Stanhope to the studio to discuss the topice of eugenics, which Doug says is not all that bad. Toward the end of the show alex makes an effort to turn Doug away from the Darkside of the force.
http://www.dougstanhope.com/
http://www.infowars.com/
http://www.prisonplanet.tv/
http://www.prisonplanet.com/
Friday, 30 April 2010
SWARM (Watch the Skies!)
......SWARM is a multimedia mashup featuring George Carlin, David Wilcock, and William Cooper among others...
...from the free floating opening footage of birds swarming, it's a rollercoaster ride through the skies with commentary on the chem/con debate, recent sky anomalies such as the Norway Spiral, HAARP, and Project Bluebeam, featuring all the latest UFO/OVNI/EBANI footage from Mexico, Japan and Russia...
...additional editing and footage from Pha3drus, BBC, Time4Rebellion, MediaRival, LibertyRook14, in5d, Project Camelot, DSamSebe1, UFOLibrary, ITN, TCM, Pedro Hernandez, Ismael Lopez, Arturo Robles Gil and mungo shoddy...
...anotherVHFtransmission...
Thursday, 29 April 2010
Baptazia - MC Sinister Minister
... Track : Distorted Minds - The Tenth Planet - Kaos Recordings 2003
http://www.youtube.com/watch?v=e9enDC...
more one foot skanking at baptazia, something different this time. insted of the milked dnb MC style. MC sinister minister. BURN EM UP!
other names we had for the mc
brother bass, lyrical evangelical, master pastor, reverand rewind, bishop bass...
Monday, 26 April 2010
Am I Paranoid?
...This wonderfully crafted multimedia mash up intertwines many concepts and ideas, taking the viewer on a mesmerising journey that will have you coming back for more! www.cuttingthroughthematrix.com...
Tuesday, 20 April 2010
Trillion - New Weird Ogres
... new album THEY WENT THAT WAY by TRILLION
to be released on 1st May 2010.
come back to my home page for a download link...
Sunday, 11 April 2010
Johnny Cash - One Piece at a Time
...Johnny Cash thinks BIG for Steal from Work Day - April 15...
Wednesday, 31 March 2010
Friday, 26 March 2010
Gorillaz - Live in New York
Gorillaz Demon Days Live Concert in new York, NY Finale Show at The Apollo
Monday, 22 March 2010
the SECRET - OST
...what IS the SECRET?...
...starring Fred Alan Wolf, John Hagelin, Bob Proctor, Dr Ben Johnson, Dr John F Demartini, John Assaraf, Esther Hicks, James Arthur Ray, and the Reverend Dr Michael Beckwith in an illuminating rumination on Energy, Vibration, and the frequencies of thought...
...the SECRET is just the beginning...
...anotherSHODDYproduct...
...from the forthcoming THIS MUSIC KILLS FASCISTS...
...anotherFONKEEjoint...
Thursday, 18 March 2010
FLIRT feat. George Clinton
A Debut LISTEN to the first release of the 420 Funk Mob Studio Album entitled: THE EMPORER HAS NO CLONES to be realeased APRIL, 20th, 2010
featuring GEORGE CLINTON, BOOTSY COLLINS, GARY SHIDER - FUNK THAT P!
Friday, 5 March 2010
Gil Scott-Heron - Me and the Devil
...Video directed by Coodie & Chike and Michael Sterling Eaton.
For information, and to keep up to date with the latest Gil Scott-Heron news please visit:
http://www.gilscottheron.net
http://www.myspace.com/gilscottheron
Monday, 1 March 2010
James Brown in the Boston Garden, April 5, 1968
...this is the night James Brown saved Boston from the fate of many other cities that year, broadcast in Boston, Massachusetts less than 24 hours after the assassination of Dr. Martin Luther King Jr. As violence was breaking out across America, Boston mayor Kevin White was considering canceling all public events, including the James Brown concert. Civil leaders advised White that canceling the concert might trigger a riot. The mayor relented and then persuaded the TV station to broadcast the event in an effort to keep blacks at home instead of on the street. James Brown soothed the grieving audience by dedicating the show to the memory of Dr. Martin Luther King Jr. and delivered and electrifying performance. Brown introduced the mayor who urged the audience to keep cool. At one point the fans go wild and rush the stage. The police move in to restore order but Brown assures them that he can handle it. James then pleads with the crowd to return to their seats and says this is not how black people should act. A very powerful and emotional performance! Songs include: “Get It Together,” “There Was A Time,” “I Got A Felling,” “It’s a Man’s, Man’s, Man’s World,” “Lost Someone,” “Bewildered,” “When a Man Loves a Women,” “That’s Life,” “Kansas City,” “Soul Man,” “I Got The Feeling,” “Try Me,” “Cold Sweat,” “Maybe The Last Time,” “Please Please Please,” “I Can’t Stand It” and many others...
...for more background, here's the excellent documentary, "the Night James Brown Saved Boston"
Watch The.Night.James.Brown.Saved.Boston. in Drama | View More Free Videos Online at Veoh.com
Saturday, 27 February 2010
Music is the Weapon - Fela Kuti (1982)
Music Is the Weapon may be short, but it's essential viewing for Fela fans. Filmed in 1982, the 53-minute documentary captures the late Nigerian musician/activist at his peak. For the uninitiated, it's hard to explain--in mere words--how one man could so successfully mate the sexuality of James Brown with the righteous politics of Bob Marley and sinuous sounds of Miles Davis. Fela drew as much inspiration for his "Afro-beat" from Martin Luther King Jr. and Malcolm X as funk, reggae, and jazz. Music Is the Weapon features interviews with Fela and a few of his many wives, along with performances of "ITT," "Army Arrangement," and other anthems. A controversial figure throughout his life, Fela is described as both "superstar" and "man of the people." This short, but potent document ably explores that dichotomy. --Kathleen C. Fennessy
Tuesday, 23 February 2010
Our Latin Thing (1971)
...Nuestra Cosa/Our Latin Thing-the start of the salsa movement in New York and around the world. The year was 1971 and on an August night, the leaders of each group from the Fania label got together for one big shindig at the Cheetah in New York City. The Masters of Ceremonies that night were Symphony Sid and Izzy Sanabria. Led by Johnny Pacheco, the All Stars grooved through the night as they played songs such as "Quitate Tu", "Anacaona", "Ponte Duro", "Descarga Fania", "Estrellas de Fania", and more. But to me, this is an important recording to our culture, because this soundtrack was the one that introduced the Spanish speaking culture of New York to different types of people across the U.S. and the World. This was indeed, the supernova of Salsa.
Friday, 19 February 2010
the Robin Hood Tax DUB
....Campaign video by Richard Curtis and Bill Nighy, about the Robin Hood Tax, a tiny tax on bank transactions that could raise hundreds of billions for public services and to tackle poverty and climate change at home and around the world. A Good Idea remixed by rfs due to fear and loathing of coldplay. Add your own voice to the campaign at http://www.robinhoodtax.org.uk ...
Sunday, 14 February 2010
Y to the reali-T
Produced at various studios in the UK, Jamaica, Germany, Poland and Sweden with guest spots from veteran sound effects man Joe Lickshot, Daddy Freddy, R&B chanteuse Shola Ama and the regular Curtis Lynch Jnr crew
YT BORN INNA BABYLON LP RELEASED MAY 2009 ON SATIVARECORDS
www.myspace.com/ytreggae
www.sativarecords.com
Wednesday, 10 February 2010
Che and the Digital Cinema Revolution
Soderbergh, the RED ONE, and filming "Che"
Steven Soderbergh, his crew, and RED employees discuss the process of using the RED ONE camera during the filming of "Che."
Thursday, 4 February 2010
Monday, 1 February 2010
Friday, 29 January 2010
Good News
This is a sneak preview of a few working tracks from the up-coming Album Project by George Clinton and the 420 FUNK MOB. It's not finished yet but we think we've got a lil sumptin' Sumptin' goin on so far.
TAKE A LISTEN and make a comment ( if you can ) to let us know if we're somewhere in the P-FUNK Ballpark. OK HIGH!!!
Monday, 25 January 2010
Bill Hicks - Outlaw Comic
...Trio! aired this during their "Uncensored Comedy" month. The really great thing is, get this, everything aired during the month was completely edited. Do you realize how hypocritical it is to release a documentary on why it was wrong to censor a genius like Bill Hicks, only to censor him once again post-mortem? Comedy Central has gotten away with airing severely offensive material, such as South Park: Bigger, Longer, and Uncut, without any problems. If Trio was planning on censoring this, they should have never claimed it was uncensored.
The best example of this occurs during the end credit. Footage of Hicks flipping off the crowd is shown with his middle fingers obscured by large bars reading "CENSORED", while Trio's UNCENSORED Comedy month logo gleams in the lower right corner.
Great idea, great documentary, but full of bad choices of editing. Maybe in the future, a truly uncensored version of this documentary will be seen...
...to see Bill's censored Letterman appearance, go HERE...
Friday, 22 January 2010
Fela Kuti in Concert
Fela Anikulapo Kuti, born in Abeokuta, Nigeria in 1938, was a singer-composer, trumpet, sax and keyboard player, bandleader, and politician. Kuti was one of Africa's most controversial musicians and throughout his life he continued to fight for the rights of the common man (and woman) despite vilification, harassment, and even imprisonment by the government of Nigeria. Born to Yoruban parents, Kuti was strongly influenced by both parents, his mother being Funmilayo, a leading figure in the nationalist struggle. Practically all of his records are dominated by political events and discussions from the approach of Pan-Africanism.
In 1954, Kuti joined the Cool Cats as a singer in that highlife band (highlife being the rage of the Lagos music scene at the time). During this period Kuti developed his own unusual sound which he described as highlife-jazz. In 1968 Kuti announced the arrival of Afro-beat, within the year was promoting his sound all over the USA on a 10-month tour where he became influenced by American jazz. When he returned to his homeland he opened a nightclub, the Shrine, and changed the name of his band to Africa 70 (and later to Egypt 80). His bands traditionally included the typical huge line-up consisting of many singers and dancers, numerous saxophonists, trumpeteers, drummers, percussionists, and of course, many guitarists blending African rhythms and jazz horn lines with politicized song lyrics. His music was intricate, rather than calling it Afro-beat you might more arguably consider it Afro-jazz. Entire recordings often consisted of just a few songs and this propensity for jamming set up a roadblock for Fela to attain commercial acceptance in the United States. He also abhored performing a song after recording it, and this led to audience disinterest in the U.S. where the people wanted their music to be recognizable hits.
Kuti continued his outspoken attacks on the Nigerian government. When the people returned to power in 1979, Kuti began his own political party - MOP (Movement of the People). The military returned to power in 1983 and within the year Kuti was sentenced to five years in prison on a spurious currency smuggling charge. He was released in 1986 after yet another change of government.
Fela Anikulapo Kuti died on Saturday, August 2, 1997, at 4pm (local time) in Lagos, Nigeria. It had been rumoured for some time that Fela had a serious illness he was refusing treatment for, many said he was suffering from prostate cancer. But as it turns out, Fela died from complications due to AIDS. As Fela's brother, Olikoye Ransome Kuti, said at a news conference:
"The immediate cause of death of Fela was heart failure, but there were many complications arising from the acquired immunodeficiency syndrome".
Fela was a man with great influence in the African music world, he is irreplaceable and his presence will be sorely misssed.
Monday, 18 January 2010
Friday, 15 January 2010
Bill Hicks...with the Fonkees
...from the forthcoming THIS MUSIC KILLS FASCISTS - Here's Bill with some thoughts on Marketing... ...anotherFONKEEjoint...
Tuesday, 12 January 2010
DJ Food and DK present - Now, Look & Listen
DJ Food & DK present - Now, Look & Listen from Solid Steel on Vimeo.
...DJ Food & DK showcase their AV mix that they perform live on 4 decks and 3 mixers. Using Serato's Video-SL plug-in for Scratch Live, they mix, scratch and blend the sound AND vision for each track they play.
Months were spent creating videos for each piece of music, either using the original source material or, in most cases sampling footage to create a new video entirely. Described as 'Video Turntablism', it has become a way for Food & DK to visualize their already legendary DJ sets.
As usual, it's the diverse mix of music that they love and are known for, taking in current club floor fillers, but also making room for classic tracks. You can now marvel not only at their musical tastes, but also the visual side as well. You can view the play list at ninjatune.net/solidsteel/index.php?id=619
Saturday, 9 January 2010
Herbie Hancock
Legendary jazz musician Herbie Hancock delivers a stunning performance alongside two old friends -- past drummer for The Headhunters, Harvey Mason and the original fretless bassist, Marcus Miller. Listen to the end to hear them sweeten the classic "Watermelon Man."